- a study of a specific studio/production company within a contemporary film industry that targets a British audience.
- through
- marketing
- exhibition
- etc.
- several companies working on the same thing
Working Titles
- Founded in 1984
- co-founded by:
- Tim Bevan
- Sarah Radclyffe
- Graham Bradstreet
- in 1992
- Sarah Radclyffe left the company
- Eric Fellner joined the company
- UK films aimed at an international audience
- Traditional UK film genres
- Their history mirrors the history of the UK film industry
- Increasingly typical UK film funding
- (co-funding with British TV companies and Hollywood studios)
- Produced "My Beautiful Laundrette" (1985)
- Produced "For Queen and Country" (1988)
- starring Denzel Washington
- their first Anglo-American production
- British film + American Star = $$$$$$$$$$$$ (BIG MONEY!!!!)
- Appeals to international market (and success for the British Film Industry (BFI))
- This approach has provoked much criticism about the 'mid-Atlantic' nature of the films
- They are all basically the same (formulaic)
- UK/US co-productions...
- 5% (of the time) - developing a script
- 5% (of the time) - finding a director
- 90% (of the time) - juggling deals together from different sources
- ...to finance those films
- By handshaking with 'Polygram', they got 'Universal Pictures' involved.
- Films produced:
- Shaun of the Dead
- Hot Fuzz
- At World's End
- Billy Elliott
- Bridget Jones: Diary
- Nanny McPhee
- The Boat That Rocked
- released in the UK on April 1st 2009
- budget of $50 million
- Richard Curtis romantic comedies have traditionally done very well at the box office
- Typical Working Title co-production with Universal and Canal+
- Familiar Working Title faces and some up-and-coming talent
- Famous US star (Phillip Seymour Hoffman)
- Traditional marketing campaign with synergestic merchandising and tie-ins - soundtrack released on Mercury Records owned by Universal...
- Increasingly traditional digital marketing strategies (TV commercials, social media)
- Large scale release - 400+ sceens in UK
- Medium scale release in US - 800+ screens
- It died in the UK yet it still did quite well in the US
- Thunderbirds
- Most films make a profit from their films, although some have flopped.
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